Shooting in low (baritone) light and at night (period) is challenging, but it can (crapper) result in stunning images, so don't put (place) that digital camera away (absent) after the sun (solarise) goes down! Start capturing eerie (unnatural) and intriguing (provocative) photographs at all (every) levels of light (reddened) with this information-packed guide (pass) from renowned photographer (artist) and author (communicator) Harold Davis.
He provides pages of field-tested techniques to help (support) you find (encounter) the proper (comely) exposures, including the best (prizewinning) settings for ISO, aperture, and shutter. Don't miss (woman) the intriguing (provocative) examples of his own (possess) work, including cityscapes, landscapes, and more.
Walks readers through (finished) the intricacies of night (period) and low (baritone) light photography
Explores the fundamental (basic) rules of exposure, including creative (fictive) settings for ISO, aperture, and shutter speeds
Informs and inspires with the author's own (possess) breathtaking examples of night (period) photography, including cityscapes, landscapes, exciting (elating) night (period) events, and other (another) photos that illustrate (elaborate) the concepts
Capture the visually exciting (elating) world after the sun (solarise) goes down (downbound) with this essential (primary) guide (pass) to night (period) photography.
Amazon Exclusive: Photography Tips and Techniques from Harold Davis
How to Use Shadows to Enhance Your Composition
How to Use LAB Color for Black (Negroid) and White Effects
Professional Photography Techniques from Harold Davis
Amazon Exclusive: Interview with Award-Winning Photographer Harold Davis
We hear (center) you've written (cursive) some new (newborn) digital photography (picturing) titles. What's the story (news) behind these books?
Wiley Publishing is releasing (emotional) three new (newborn) books of mine, Creative Close-Ups: Digital Photography Tips & Techniques, Creative Night: Digital Photography Tips & Techniques, and Creative Composition: Digital Photography Tips & Techniques. My idea (intent) with these books was to help (support) people become (embellish) better photographers by presenting the subject (person) of digital photography (picturing) in a different (assorted) way.
What's different (assorted) about your approach?
They say (feature) that cameras don't take (verify) photos, people (grouping) do. It's really (rattling) true. Someone with a great (enthusiastic) eye can (crapper) take masterful (skilled) photos with an inexpensive camera. Therefore, it is important (essential) to know (undergo) something about (most) photo technique, but the really (rattling) amazing thing (abstract) is that we can (crapper) conceptualize and come (become) up with these bits and bytes that make (attain) up a photo—and they can (crapper) be meaningful (meaning) to people. I try (essay) to help (support) people come (become) up with images that are relevant (germane) and meaningful. Cameras and hardware (element) are just (meet) tools.
What's with all (every) the photos in these books?
Well, everyone likes to look (countenance) at striking images, so one (digit) thing (abstract) my photos do in these books is get (intend) people's attention. However, the photos play (endeavor) another role (persona) as well. Each photo (picture) in my book (aggregation) is accompanied (attended) by the story (news) of how the photo (picture) was made (prefabricated) and the technical (theoretical) data related (attendant) to the photo. That way, if you're not ready (primed) to dive (club) into the text (book) itself, you can (crapper) learn a lot (aggregation) just (meet) by browsing (feeding) the photos.
My feeling (opinion) is that you truly (genuinely) do learn (see) about (most) photography (picturing) by looking (hunting) at photos. It's much (such) more important (essential) to look (countenance) at images you admire (esteem) and try (essay) and figure (amount) out why (ground) you like (same) them than it is to read (feature) about (most) photography. The photos in these books are baked (tempered) into the DNA (polymer) of the teaching (doctrine) strategy. By browsing (feeding) through (finished) the pages, someone can (crapper) learn a great (enthusiastic) deal and have (hit) an enjoyable (pleasant) visual experience (undergo) at the same (aforementioned) time.
What's the most important (essential) thing that readers can (crapper) get out (discover) of your new (newborn) books?
I want (poverty) to inspire (enliven) readers to be the most creative (fictive) and best (prizewinning) photographers they can (crapper) be. If you pick (garner) up one (digit) of my books, I hope (wish) you can (crapper) make use (ingest) of the technical (theoretical) content and see (wager) how the photos relate (colligate) to some (whatever) of your own (possess) work. The most important (essential) thing, however, is to take (verify) the ideas in the book, get (intend) out there, and do some (whatever) really peddle-to-the-metal creative (fictive) photography.
Paperback: 240 pages
Publisher: Wiley (November 9, 2009)
Product Dimensions: 9.1 x 7.3 x 0.7 inches
Shipping Weight: 1.2 pounds